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DTSTART;VALUE=DATE:20231209
DTEND;VALUE=DATE:20240616
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UID:13354-1702080000-1718495999@newsfromnativecalifornia.com
SUMMARY:Reclaiming El Camino: Native Resistance in the Missions and Beyond
DESCRIPTION:Reclaiming El Camino aims to educate Los Angeles and its visitors about the potency of Native life and the rich history of activism in the California borderlands region. This exhibition repositions (and reclaims) the El Camino Real as the ancient and well-worn trade route for Native people long before the establishment of the Franciscan Missions in Baja and Alta California. \n\n\nThis Exhibition was created with guest curator Deana Dartt (Coastal Chumash). \n\n\n\n\nReclaiming El Camino is supported by Edison International\, The Mildred E. and Harvey S. Mudd Foundation\, Caryll and William Mingst\, the National Endowment for the Humanities: Sustaining Humanities through the American Rescue Plan in partnership with the Association of Tribal Archives\, Libraries\, and Museums\,* the Paloheimo Foundation\, the Sacred Places Institute\, and the Wishtoyo Chumash Foundation.
URL:https://newsfromnativecalifornia.com/event/reclaiming-el-camino-native-resistance-in-the-missions-and-beyond-2/
LOCATION:The Autry Museum of the American West\, 4700 Western Heritage Way\, Los Angeles\, CA\, 90027\, United States
CATEGORIES:Exhibit
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DTSTART;VALUE=DATE:20240214
DTEND;VALUE=DATE:20240624
DTSTAMP:20240105T022859Z
CREATED:20240105T022859Z
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UID:13357-1707868800-1719187199@newsfromnativecalifornia.com
SUMMARY:Continuity: Cahuilla Basket Weavers and their Legacies
DESCRIPTION:More than 140 Cahuilla baskets are housed at the Benton Museum of Art\, and though they are aesthetically beautiful—which is part of what makes them art—they are not merely museum “specimens.” Rather\, they represent the continuous relationships that Cahuilla people have with their traditions\, ancestral knowledge\, lands\, and one another. \nMany of the Cahuilla baskets housed at the museum were collected in the Coachella Valley in the 1920s by a Pomona College graduate named Emil Steffa (class of 1899) and are foundational items in the college’s collection. Steffa was unusual among his contemporaries because he recorded the names of some of the basket makers he collected from. As a result\, we know who the makers were and can reconnect their work to their living descendants. \nContinuty presents a selection of Cahuilla baskets housed at the Benton along with their histories and long standing relationships with their relatives. This exhibition tells a story of the importance of reunifying Native collection items with living descendants\, while also acknowledging the institutional histories that have impacted local Native American communities. \nThe ancestral items at the Benton want to be touched\, held\, sung to\, loved\, and prayed with. Through their patterns and forms they manifest ancestral teachings and resilience. This exhibition at the Benton recognizes that it is important to showcase not only the aesthetic beauty of Cahuilla baskets but also their continued relationship to tribal members. The Benton and the curator are currently collaborating with Cahuilla tribal members\, the Nex’wetem Basketry group\, and Native community members from the surrounding area to enrich the stories of these baskets. We invite you to engage with us.
URL:https://newsfromnativecalifornia.com/event/continuity-cahuilla-basket-weavers-and-their-legacies/
LOCATION:Benton Museum of Art Pomona College\, 120 West Bonita Avenue\, Claremont\, CA\, 91711\, United States
CATEGORIES:Exhibit
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